July Video Snippets

Many pieces of the live video puzzle seem to be snapping into place lately. A few of my favourite things:

Real-Time Vidi-Yo Puppetry!
http://animata.kibu.hu

Bored with mere live triggering of video clips or visual effects? Using the real-time animation software Animata ( free, open-source ), it’s now possible to control the limbs of virtual puppets in real-time, either with simple computer keyboard or midi controls, or a variety of physical sensors, cameras, audio levels etc. Designed for stage use, the software allows simple creation of scenes ( characters and backgrounds ), that can be controlled easily in real-time. Say the Hungarian creators:
“Creating and moving characters is as simple as loading an image and attaching a skeleton to it. ( On the basis of the still images, which serve as the skeleton of the puppets, we produce a network of triangles, some parts of which we link with a bony structure. The bones’ movement is based on a physical model, which allows the characters to be easily moved. )”

Once various characters and scenes are set-up, the various limbs and joints can be animated in real-time by external applications, such as hardware midi controllers or software like Max MSP or Quartz Composer ( A quartz patch has been made, which allows Animata to be controlled directly from within popular mac VJ software, VDMX ). In other words, instead of rendering out a variety of animated loops for triggering over time, animations can be made fresh on the spot. This offers all sorts of live performance and installation possibilities, limited only by the imagination and preparation time.

Elsewhere on Planet Quartz
http://openemu.sourceforge.net

Also running wild, Open Emu is an open source project that brings game emulation to OS X ( Sega Master System, Game Gear, SG – 1000, Game Boy, Game Boy Color, Sega Genesis, Sega CD, Sega 32x, NES/Famicom, SNES, Super Famicom, Game Boy Advance etc ). Which is all fine, but it’s recent porting to Quartz Composer means that old ROM computer games from the above consoles, can be used within quartz compatible video software and controlled live. Says Team EMU:

Use audio or MIDI input to drive game characters and input
Use the same input signals to control multiple ROMs at once from the same joystick/gamepad
Add 3D effects or image processing to the game image for interactive 8bit visuals
VJ with your favorite games, in realtime, with effect responding to game input

*Bonus Nerd Utopia Level : Open Emu QC includes a separate plugin just for the Nestopia engine, which supports extended features, such as ROM glitching, cheat codes and game rewinding. You can now software ‘bend’ a virtual NES, in realtime, with your favorite Quartz Composer-compatible VJ applications.

So that’s Space Covered. What About Time?
Abundant live manipulation of video is indeed already here. An embarrassment of pixel riches. On the other hand, while there are some sequencing solutions and workarounds ( eg using midi and Ableton’s time controls to trigger video clips ), many video artists are still waiting for better time-based control and sequencing of video clips. The release of Max for Live later in 2009, will undoubtedly explode live audiovisual possibilities and sophistication, when it brings together Ableton’s sophisticated and musically precise time controls, with the custom visual effects possible within Jitter, the visual component of Max. In the meantime, another sequencer contender has emerged, a step sequencer for Resolume, built as a Max patch, and using the OSC protocol to control the clip launches in Resolume. More.

Controlling It All?
http://www.osculator.net/wp/
“OSCulator is software that links your controllers to your music and video software. For example, with OSCulator, your Nintendo Wiimote or iPhone can talk to major MIDI sequencers or your favorite console emulator or even the Kyma sound design workstation.
OSCulator supports the OSC protocol which makes it able to be used with a wide variety of software and devices like SuperCollider, Processing, Max/MSP or the Lemur multitouch controller.”

And Outputting to the Projector?
Maybe you’ll be needing one of these : an as yet to be bulk manufactured, but awaiting your order, hardware dvi mixer. Which means being able to mix digital signals in high resolution between 2 laptops. The UK’s Toby *spark and D-Fuse are behind this effort, with further updates ( and requests for orders ) to come.

by Sean Healy, July 23, 2009 0 comments

Renewing Newcastle

renew newcastle

renew newcastle

After a decade of transforming inner-city Newcastle into an artist’s playground for one week a year, Marcus Westbury has finally persuaded Newcastle’s local Government and business interests that there’s merit in doing this all year round. Leveraging his profile developed with ABC TV’s Not Quite Art, Marcus has created a body to liase between owners of empty buildings in Newcastle, and artists and mediamakers in need of space. Given Newcastle’s resemblance to Baghdad over the years, unsurprisingly the projects aims of injecting activity into the inner-city have been hugely popular. (( Organic food co-ops in old churches anyone?

There’s been a recent surge in activity with Renew Newcastle, what’ve been some highlights?
The big highlight for me is that a large part of Newcastle is coming back to life again and is full of interesting things happening. What was becoming a bit of a dead zone is now a hub of independent and original arts, photography, jewellery, design, publishing, fashion, crafts, filmmaking, and much more. I’m a bit reluctant to single anyone in particular out but there’s a shop called Makespace that’s worth a look to see what you can achieve on a hard rubbish fitout.

How many vacant shop spaces have you got being re-used by artists now?
We are up to 17 or 18 spaces that have been taken over by about 26 or 27 projects. We have more being added all the time. It’s a pretty amazing number given that we only really started on this a few months ago and it’s a very big turnaround from what was there before.

Of the recent shop projects, can you explain some more about the ‘sustainable “upcycled” art and design objects’ ?
They’re selling furniture, accessories, art and objects that are all made from recycled materials. They take junk and turn it into desirable objects.

You’ve compared Newcastle and Glasgow on the ABC TV series Not Quite Art. With more time behind their strategies, how has Glasgow’s attempt to reinvigorate local culture unfolded?
Everyone think’s I’m an expert on Glasgow because I filmed there but I’m not really expert. What Glasgow has successfully done is chart a course from an industrial city to a place that has become well known for interesting art, and music and it has done that by letting artists take the lead and treating the city’s empty space as a resource for them. I’d like to think the same thing could happen in Newcastle with a bit of time.

How have local businesses in Newcastle responded to the transformation of nearby vacant shops, and the bohemian populations that can come with them?
The reaction has mostly been excellent. People are pleased to see activity. They’re glad to see interest and to see people back in town again. I think it goes well beyond bohemians, there’s a great deal of interest from the whole of the community.

Are there still empty spaces available? What kinds of projects / people are suitable?
Yes, we are always lookign for new projects. Anyone who is making anything that’s creative or original should have a look at our website and check out the guidelines. We’d be interested in anyone with a good idea for an empty space.

How can interested people otherwise get involved?
See the website at www.renewnewcastle.org or join the “Renew Newcastle” facebook group for more information.

The project is obviously going great. Where does it go from here, and are there looming deadlines / expiry dates / milestones on it’s horizons?
Right now we are consilidating some of our organisational stuff and expanding to some more difficult sites than the ones that we have started with. We will do another call for proposals over the next couple of months but people are welcome to enquire at any time.

by Sean Healy, July 9, 2009 1 Comment

Random Winter Bytes

Bored with manbabies.com and thereifixedit.com? Got you covered:

Documentary Bloggers
Adam Curtis (The Power of Nightmares, The Century of the Self etc) recently got his blog on over @ the BBC, featuring :
“a selection of opinionated observations and arguments. I’ll be including stories I like, ideas I find fascinating, work in progress and a selection of material from the BBC archives.” For fans of his provocative and entertaining film-making style, this is good news indeed. Already featured, ‘It felt like a kiss’, an experimental film he made for the BBC last year with the aim of trying to find “a more involving and emotional way of doing political journalism on TV”.

Blogging on the other side of the Atlantic, Errol Morris ( director of The Fog of War, Standard Operating Procedure, and many more) has been applying his interrogating powers onto photography, art forgeries and documentary re-enactments. Warning : while pursuing his trains of thought, his lines of investigation, you might find a need to go and have a lie down, several times before even getting halfway – the man has the research jaws of a vigorous bulldog. Expect your understandings to flip several times during the course of an investigation.

Comic Remixes
Written and directed by comic author Marjane Satrapi, with Vincent Paronnaud, Persepolis is an animated film showing Marjane’s coming of age while the Iranian revolution unfolded in 1979. It’s a powerful film, showing Marjane’s childhood obsessions ( Bruce Lee, Michael Jackson, punk rock ) juxtaposed with the politics surrounding the Islamic fundamentalist rulers of Iran. Using the very same comic book panels, a pair of comic artists have re-sequenced and re-worded Marjane’s comic to reflect the contemporary situation in Iran, and the lead up to current dissent about the recent election results.

Says Marjane :

Dear Friends
To all who believe in freedom and democracy
Please sign this petition to the United Nations to stop the violence,
arrests and torture in Iran.
( http://www.petitiononline.com/12June/petition.html )
The situation is really really bad.

Please forward it to whoever you know
Best and lots of love
Marjane Satrapi

Tongue Tips
As far as the continued outsourcing of our mental tasks to an internet application goes, this one’s pretty cute – using a combination of dictionaries and word matching algorithims, Tip of My Tongue tries to help with a word that is just out of reach. Clues you can enter include the starting and ending letters, the word’s meaning, the minimum and maximum length and what it sounds like. Good luck with that.

The Pirate Bay Sold Off
The world’s largest torrent site ( hosting over half of the world’s torrent files ), recently the subject of a landmark court case in Sweden, just announced they were being acquired by the Global Gaming Factory for nearly $8 million US. Which by itself might sound ominous for the site’s future, but they have also decided to decentralise the storage of the site’s torrent files, hoping that BitTorrent users will be less reliant on the uptime of The Pirate Bay’s servers alone, the burden now to be spread among several independently operated services.

MSA Remote for the iPhone
Good news as video producer Memo finally gets his iphone app approved :
“MSA Remote is a remote control application for iPhone & iPod Touch that sends OSC messages over the wifi network. This allows you to control any OSC supporting applications such as Max/MSP/Jitter, PureData, Reaktor, VDMX, vvvv, Resolume, Quartz Composer etc. By mapping the OSC to midi on desktop (e.g. using OSCulator) allows further control of any application which supports midi such as Ableton Live, Cubase, Logic Pro, 3DSMax etc. In addition, developers can easily integrate OSC into their applications knowing it can be controlled remotely. The application can be distributed to visitors, guests, members of the public etc. to interact with an installation or performance, or used by dedicated performers.”

by Sean Healy, July 9, 2009 1 Comment

Animals Really Are Funny People : Six Screen Panorama

animals really are funny people
Having been meaning to post a sample of this project for ages, but the arrival of Melbourne winter seems to be helping nicely. So yes, ‘Animals Really Are Funny People’ is a screen panorama made in 2007 while in Istanbul with artificialeyes.tv. We’re talking an 8:1 screen ratio, 20 metres of pixels sync-ed up using Dataton Watchout software, and the combining of hand-drawn animations, photos in Barcelona and Istanbul, various green-screened characters (( monkeys on (actual) segways, giant squids, giant plant-men, etc )). Making a 3 minute piece for six screens seemed to plague it with rendering bugs, DVD burning bugs and courier delivery bugs, but perseverance paid off, as it ended up winning the 2007 MONA Horse Bazaar International Panorama prize. Music : “Egg Yolks Yo” by Lewis Cancut( Full track available over in the scatterblog sidebar ).

Below, a selection of highlights, crammed from six screens into one…

Animals Really Are Funny People from jeanpoole on Vimeo.

by Sean Healy, June 12, 2009 0 comments

Meneo : Electro Gameboy Reggaeton in the House

meneo

Electropical? Bleepy cumbia? Such hybrids are inevitable, given a generation raised on candied synthetic computer game sounds, and the speed at which localised bass variations now travel from shore to shore. They are also core chunks of the Meneo sound, alongside ‘electro-gameboy-reggeaton’, which describes their recent CD, Santa Nalga ( mastered @ Mad Decent ), as well as their recent EP, Papi. Rigo Pex makes the music, Raul Berrueco makes the video, both use gameboys to do it. Music, videos, nude performance photos and more : http://www.entter.com/meneo/istheshit.html

What’s your quick and easy definition of ‘reggaeton’ ?
Rigo: Old School reggaeton= booty marathon with ass sweat dripping down your ankles. Current reggaeton= boring ego rap, with some exceptions to both.
Raul: Atun Con Pan!!!! Yeah… it’s kind of a joke ’cause the rhythm sounds like saying in Spanish ‘atun con pan, atun con pan’ which literally means: tuna sandwich.

I am gathering your happy blend with many other styles, which of these are you enjoying a lot at the moment?
Raul: Gabba Lounge, nah kidding… we both love the new electronic cumbia made by artists like Uproot Andy and Sonido del Principe
Rigo: Yep, all that comes out from the Zizek and Bersa labels…also dubstep never stops to amaze me.

How does the Gameboy fit into your musical processes?
Rigo: I use LSDJ, a gameboy sequencer made by Johan Kotlinsky.. It’s actually a tracker. I love the way you can alter the values that define the sounds to come up with noises that you never heard before, digital rawness.

What kinds of tools and techniques do you use to get that chunky retro graphic style?
Raul: At the beginning I go through a lo-tech process where I use applications designed by freaky programmers without girlfriends. I’m talking about ROM hacking and prehistoric hardware/software emulators, but I also use the pencil tool to draw pixel by pixel sometimes. When I put all this material together I use more conventional languages like Action Script while wearing my cool designer specs.

In what ways do you collaborate / build performances / audiovisual sync / themes?
Raul: we are into creative freedom, so mostly we don’t talk about doing this or that, we both do our own stuff with almost no feedback and then show it ’till we’re on stage…like some Dadaists did back in the day. In that way, we keep the surprise even to ourselves and focus more on feeling than acting. When we let go, things flow depending on the stage, public and energy.
Rigo: Then there’s the part of capturing what happens on stage and communicating it through pics, blogs and overall media management, which is truly an important part where we really work as a military team.

Nakedness seems to be a visual trademark too, care to explain some more?
Raul: we usually do it if we feel good on stage, so if the sound and visual equipments are working all right, then they get a technical seal of approval… MENEO √.
Rigo: It also means that we can safely climb up to the stage roof and then jump into the speakers while the crowd is licking each other’s sweat to a 280 bpms backward version of popcorn.

Santa Nalga ‘was mastered by DJA at Mad Decent..’ What were you happy with about that album, and what differences are there coming up in your next release _Bitnik?
Rigo: Santa Nalga was pretty much done in 2006, when reggaeton and 8bit was still something whacky for me, but since it was the first album it took some time to surface. Diplo liked us and pointed us to DJA, who was great for achieving that bouncy epileptic feeling we like. The soon to release BITNIK album has more of a band sound an less club breaks, since it’s mostly all 8bit coming from the game boys sound that shred more than a million distorted guitars and their marshalls put together.

Your thoughts on the wii, iphone and other portable competitors to the Gameboy?
Raul: In 20 years will say “wow, we were really into waving a stick in the air, like it was a tennis racquet…hahah!
Rigo: there are no competitors to the gameboy… no portable game will stick around for more than 8 years these days… and even if technology didn’t changed so fast, it would be hard to achieve such a strong graphic and audio personality: the gameboy chip limits were it’s advantages.

What would be your ideal gig, and who else would be playing at it?
Rigo: Meneo playing on the greek coliseum with John Bonham on drums, the bass player from Primus, Milli Vanilli as choir…
Raul: and a 3d screen so everybody could wear those amazing 3d glasses!!!

by Sean Healy, June 11, 2009 1 Comment