Solar Power & The A.T.A.

While conventional wisdom holds that we should drink up to eight pina coladas a day, this is often hard to maintain during a wintery period. Those still enduring an absence of balmy light, can however, bask in the knowledge that all energy on our planet came at one point, from the same big firey ball you’ve been missing. And take heart that there are plenty of folks looking to harvest that energy in smarter, less polluting ways. Such as Rachel Ollivier from the Alternative Technology Association. See a range of good ideas at www.ata.org.au or within their ever-practical ReNew magazine.

What are today’s sci/govt hurdles for solar power development?
There are a number of myths about solar power that stop people buying it, such as “it only works when the sun is out”.

It’s still hard to gain information / advice about solar power and what is appropriate for your house or property. Not everyone is willing to put in the time it takes to investigate what you need to. ATA can help with this because many of our members have gone through this process and their stories are in ReNew magazine and on our website.

The upfront price of solar electricity is still high and the savings that it provides to the electricity grid overall are not reflected in pricing or support from government. The playing field for electricity is not yet level, which disadvantages solar electricity.

What positive leaps have been made in the last 3 years?
The last 3 years have seen more than 4000 solar electricity systems installed around Australia thanks to the Photovoltaic rebate program. Most of these are in urban areas. Until then, the majority of solar electricity systems were in rural Australia.

Governments, individuals and the media are talking about solar electricity more than they have before and we are seeing the results of this in increased interest from the public, higher rates of installation. Overall government policy is slowly also becoming more
supportive of sustainable technologies, although some significant measures such as the federal government’s rebate program have an uncertain future.

What other energy sources have been showing recent promise?
Energy efficiency has the greatest environmental and economic promise. We can provide roughly 50% of our energy needs by designing our houses, appliances and businesses to be more efficient. Solar Hot Water is a good financial proposition for households at this stage and Australia has the manufacturing capacity to supply SHW to households across Australia. Wind power also has a place in meeting Australia’s energy requirements in the future. We have good sources of wind and it is one of the most cost competitive forms of renewable energy that can be provided on a large scale.

How can people support these developments?
Building or renovating a home is the perfect time to build in energy efficient and renewable energy features. ATA also offers a Power Bill Saver Service for those wanting to improve an existing home. An assessor can visit your house and they will assess how you can best cut energy use with retrofits. Replace your hot water system with a solar system. Consider choosing greenpower when you buy your electricity. When you buy greenpower, your power company purcahses this power on your behalf from renewable sources, such as wind and solar. Support the ATA’s work by signing up as a Supporter or Member.

Your favourite ‘alternative energy’ myth for dismantling?
That solar power only works when the sun is out. Solar electricity systems ensure a reliable supply in two ways – if they are in the city, then they are connected to the electricity grid and you receive power in a very similar way to others in your street.

When the sun is out, your solar power systems supplies your house and extra power is fed back into the local electricity grid (so it is also supplying your neighbours). At night or in cloud, you draw power from the grid as per normal. It works like a large battery. In remote areas, solar electricity systems are connected to a battery bank which stores power in the sun and supplies it at night.

Solar Hot Water systems usually have a gas or electric back up system which kicks in to boost the heat of the water during winter. Depending on the state that you are in, the solar component supplies between 60 and 100% of the energy to heat your water.

What are the ATA’s current key campaigns?
Fighting the implementation of the recently announced excise tax on biodiesel in its current form. Biodiesel is a renewable fuel that can be used in diesel engines without modification. It is made from vegetable oil – either new or waste vegetable oil can be used. There are a number of farmers and other people around Australia making biodiesel. Lobbying for higher building standards to ensure Australia’s houses have the levels of energy efficiency and water efficiency most consumers expect.

Calling for more policy and regulation that is more supportive of renewable energy and recognises the value it provides Australia, economical, environmentally and socially. There isn’t a level playing field yet because the electricity market is designed around old energy sources such as coal-fired power stations, which supply approximately 80% of our electricity at the moment.

On a local government level, what barriers exist for sustainable housing?
Households wanting to install systems to reuse greywater systems have the greatest challenge working with their local governments. This technology is new and unknown to many local governments and applications often take a very long period of time, or applicants need to provide an large amount of research to support their application. Sustainable housing isn’t usually prioritised by local governments meaning that unlike building a deck, you may not be able to find advice or expertise within your council on the issues you are facing, but will have to go elsewhere.

What improvements have been made with local governments?
A number of local councils are putting in sustainability strategies and some are including incentives and other programs to encourage use of rainwater tanks, solar hot water, energy efficiency or renewable energy. Councils now have more knowledge than they did about these issues and I expect this to continue to grow.

3 energy ideas that would make a big change if widely implemented?
If all houses in Australia changed their light bulbs to compact fluorescent bulbs we would free up $10 per light per year. Over the country this is around $100M per year every year. Choose greenpower from your power company. You will be buying renewable energy instead of energy produced by burning coal. Install solar hot water. It’s great.

Some good URLS for reducing home energy usage?
www.ata.org.au (there are links off here too)
www.yourhome.gov.au (dreaming about a sustainable home? This is the place to go)
www.seav.vic.gov.au (tips and links in a Victorian context)
www.seda.nsw.gov.au (tips and links in a NSW context)

by Sean Healy, August 19, 2003 0 comments

His Name is CasioNova

Ever wondered how the Casio MT-54 keyboard saved the universe? The ever enigmatic Casionova has the dirt. Catch him and his band AutoChord {CasioTony and Ms Cassie O} and you’ll learn this and more, with their hilarious performed history of Casio keyboards.
Now playing at the Melbourne Fringe Festival, someday soon near you.

www.spatula-international.com.

Fringe Gig-Plug goes here:
My show is cooler than you think it could be.
Bar Open, Brunswick St, Fitzroy 9:20 PM Oct 9,10,11

by Sean Healy, August 19, 2003 0 comments

The Rawbone AV Experience

Extravagant feather displays are the lure of many a bird, while other winged-ones rely on the timbre of their voices, the qualities of their song. Western Australia’s most famous bird, the emu however, is a really, really fast runner. Much faster than Ol’ Roly Skender, but then his kicking audiovisual butt over in Perth is probably as good an evolutionary strategy as any. No need to run when you can make music and cinema out of Bob Hawke, bicycle bells, emus themselves, and the homo-eroticism latent within aussie rules. A quite cool audio+video-CD is available for the non-believers through www.rawbone.tv, and Roly heads East for Electrofringe in October.

How’s the Perth multimedia massive these days?
Perth definitely has a growing scene in terms of VJs and Audiovisuals but it’s still pretty small. Crew like the Semikazi Collective are some of the only people getting it out there at the moment with events such as the recent AV showcase as part of the Kiss my WAMi Festival.

And London & Paris? How’d you end up gigging there?
I went on a 7 week pilgrimage to try and find out where the action is I suppose. I was lucky to meet some nice people that ran clubs in Paris that were putting on AV/film nights and using the term ‘micro-cinema’ which really appealed to me. In the UK I stayed with the VJamm programmers in Brighton who really dug my stuff and introduced me to Matt Black (Coldcut/Ninja Tune) in London, plus there was a night called Vectors I played at which is run by a Canadian guy I met on the net. London has a very healthy AV scene but you still have to know where to look.

Breakin’ it down – what are the live audiovisual processes for the Rawbone Duo?
I play pre-rendered AV sequences off laptop and use VJamm to drop in samples and mess around with effects while Jo19 beatmixes with an 808, sh-101, live congas and percussion.

How do you work together composing and songwriting across sound and video?
I wrote most of the older stuff myself, but since I’ve been working with Jo19 we also have an act called The Rawbone Trio which is more collaborative. We also have a great double bass player called Pete Jeavons and it’s more of a downbeat vocal vibe. I’m still doing the video side of things myself but we’re always throwing different ideas at eachother. The Rawbone Trio is a live act and is my main focus at the moment. We’ve only done 2 shows but the audience response has been fantastic.

What do you like / dislike about your live flexibility with AV material?
I like creating stuff on the fly / I dislike people thinking I’m a DJ. It’s sometimes tough for electronic musicians to come to terms with the fact that no one gives a fuck if they’re performing live or just playing a CD or record, so to me electronic music ‘performance’ is really more like a ‘presentation’ in a lot of cases.

Electronic musicians gigging live you’ve enjoyed?
Definitely Coldcut because of the visual aspect, when I saw Biftek a couple of years ago they had a great live energy and the Kruder & Dorfmeister show this year was also a highlight.

What’s good & bad about video when people are dancing?
Depending on the positioning of screens it can be bad for your neck. Otherwise I just see lots of screens as an elaborate light show which is all good.

An ideal Rawbone performance venue would be?
An outdoor cinema on a beautiful night with the audience surrounded by huge screens on every side.

What have you planned for your Electrofringe performance?
I’ll be speaking on a panel and discussing the process, why I do what I do and how political it is (or isn’t). I’m not sure if I’ll be performing yet. ( see www.electrofringe.org for more details )

by Sean Healy, August 19, 2003 1 Comment

Arkaos VJ 3.0 Review

arkaosWhen future archaeologists try to restitch the development of the VJ, chances are an arkaos logo will feature prominently in their research. The Arkaos VJ software has been a forerunner for years, staking out new ground and becoming a tool of choice for live video artists. This gained ground has gradually turned into a swampy zone in recent years as a murky mix of VJ programs have emerged and the prospect of live video manipulation on computers has become ever more feasible. And so the biggest Arkaos upgrade in years is a bit of an event.

Nuts N Bolts
Under the bonnet – VJ 3.0 is still a souped up triggering machine. Whether arkaosweb.jpgactivated by key presses, mouse movement, midi keyboard or audio input, VJ 3.0 is essentially an app for triggering clips or images. It works by assigning clips and/or effects from your collection to keys on your computer keyboard or a mid keyboard. There’s an actual image of a keyboard on your screen for you to drag and drop these clips onto whichever keys you want, and the option of adding effects on the same key. Once you fill a keyboard, you can start on another, and keep going until you have 128 of them, then switch between keyboards as you wish when playing. This much hasn’t changed, it’s still the same solid program – now with 32-bit colours.

New Juice
Given that effects in most video editing programs mean rendering your clip to see what the effect looks like, film students are invariably impressed when they see that the effects within Arkaos VJ run real-time. Press a clip, apply an effect and it happens straight away to that clip, and the effect parameters can be adjusted by mouse or MIDI keyboard control. Version 3 has 7 new effects and about 50-60 overall – which vary in quality / tackiness, ranging from wacky, kooky, cheesy, zany through to smoother and very useful – eg various fades, blurs and pixellations. This isn’t where the significant improvements in the software lie though.

Live Camera Input
Got a firewire port + mini-dv cam? Or a webcam + usb port? Vj 3 can now take in feeds from either of these, or even both at once. I expected this to have a typically low frame rate, but it works great and suffers only a tiny time lag. Rather than live feeds, I like to play mixed down tapes through the camera that can be switched to, or layered over at any point with a keypress. You can also assign the camera to several different keys, with varied effects or masked and layering on each, and cut rapidly between each effected camera feed without the software pretty much missing a beat.

Chroma Keying & Layer Modes
Chroma keying creates transparent areas from pixels with the same colour ,and luma keying makes transparent all pixels of a specified brightness or luminosity. Which is great news if you want to then layer other colours or footage into those areas, and make like the Greatest American hero against a wobbly sky. And yes, both chroma and luma keying now come with VJ 3.0, which can allow for playful compositing or mash-ups. I prefer the new transfer modes – which layer video feeds on top of each other in a variety of ways that work like photoshop’s add or multiply, screen or burn. Not as much gritty edges, although the VJ keying is pretty good.

Udder Features
Like before we get a built-in recorder to create visual remixes which can be recorded to disk and re-used, remixed again – and this can be a cool way to make quick titles for short films, or even to try out various editing ideas. And now the arkaos engine is integratible with any MIDI sequencer (OMS, ReWire, …). Automatic beat-matching technology can synchronise effects or changing between clips. The ability of quicktime to use flash files, means that flash texts let you can display on-screen messages with customizable Flash animations and editable text for on the fly control. VJ 3.0 also brings a little more control over individual clips – by clicking on the key the clip is attached to, each clip can be assigned one of these ‘transfer modes’, and can have it’s speed, screen position and opacity adjusted – whereas in the past a time controlling effect had to be positioned there, and you can now put an effect instead.

System Requirements
299 Euros – or upgrade from 2.0 for 150 Euro.
Fully optimised for Windows XP & Mac OS X, G4 & Pentium II to Pentium IV processors.

Pros
The camera input works a treat and the transfer modes make layering so much less tacky, so more versatile. Hardly ever crashes, and tends to pump out a decent frame rate the whole time.

Cons
Some of the effects are really past their use-by date, and better live time-based control of loops is still on the wishlist.

Verdict
Arkaos VJ 3.0 is rock-solid on os9 and osx and seems to finally have hit it’s stride on PC also. It’s a really solid app that has just gotten a whole lot more versatile. Guesses are now that they’ve jumped to OSX, the next upgrades should come quicker and include even more responsive controls.
Download an arkaos VJ demo today at www.arkaos.net.

See Also : VJ Software round-up

by Sean Healy, August 19, 2003 0 comments

Noyze Labs

Why does time gets faster as you get older? Accordian to me maths teacher at the time, sitting duck despondent at the front of the class (he’d suffered a 49th birthday), it seems to get fasta because each new year represents a smaller slice of your life to date. If anyone could map this equation – it’d be Dave Burraston of www.noyzelab.com, himself an electronix tinkerer of many a year, and classical pianist since age of 7. From his bunker, deep in algorithmic research and it’s application to creative media technology, he found time for these replies.

AV interference technology? Whatchoo lookin to interfere with (Willis) ?
Since I met with Douglas Adams around 97 : life, the universe, … everything!

Can you explain Cellular Automata – and your attraction to them?
The fundamental compuational algorithm and the founding technology of artificial life. My attraction is based on.. errr.. realising that they are the answer to .. life, the universe… everything.

What are some of the challenges / joys of working with algorithms?
Challenges : coding it up and getting it do something of artistic/aesthetic value instead languishing in midicritter.jpgsome boring corporate research lab and lining the pockets of some dork.
joys : making a beautiful and terrible noyze!

How would your current research surprise the hell out of the ‘Dave of a decade ago’?
Well I was doing this a decade ago anyway.. but, now its more coherent for me. I suppose the clarity of my application now surprises me, even now.

Maths & music – how have they influenced each other for you?
I taught myself piano at 6 because my parents were musical-ish and sent my older brother for lessons, but said I wasn’t allowed to start until I was 7 and I’m the sort of person who wants things when I want them. My dad was a computer programmer in the 50’s on the first commercial computers thru till the late 80’s , so I was drilled in maths early on and hated it, but had a good aptitude 4 it. after seeing the light thru various chemicals I realised that maths is a pretty cool thing. “all music is unconscious calculation” : Leibniz. I found out that there is a whole world of interesting maths out there that they dont teach you at school. When I started gettin into synths @ 1977 I realised I could apply myself better using my maths skills, so I suppose its more of symbiosis than influence.

How’d you end up building a custom Digital Signal Processor for Richard James ( aka da Aphex) ?
I met Richard through Mike Dred aka Kosmik Kommando some years back now and ended up going round the world with them and the rephlex krew a few times, guesting it up on video projecting with straydog and generally gettin trashd up. Me and Rich kind of hit it off koz I’m a bit of a synth freak and know a lot about the modular stuff as well as the digital n modern stuff. I woz round his studio a few years bak avin a larf n gettin wrekd and mentioned this box I done that processsed sound like the speak n spell does, except it does it on any audio signal, rather than typing in letters. Rich is a bit of speech synth nut and said to me “I’ll definately buy one of those!”. Well I’d long since put the project aside to move on to other things, but he was well keen and well, so we swapped a few synths n bitz and I woz pretty desperate for cash at the time, so it was either knock up the box or sell some of me beloved machines to eat! Plus it also helped me out for moving over to OZ to do me phd. The box ain’t perfect, but then again neither is life! One of the main criteria was a “beer proof cover”, to which I obliged. Any more info on the werkings than that is top secret I’m afraid. I played all my test recordings to Garry Bradbury, a top chap, and hopefully he will be remastering them for me. In case you wondering I only made 2 and I have the other one. funny test recording enclosed.

What’s hapnin with your label – Research Records?
Well we managed to put out a wicked 12″ in 1994, through kudos, and some cdr n tape bitz ere n there to friends and interested parties, but gettin a distributor for our esoteric brand of research has proved somewhat difficult… I’ve lost count of the amount of cdr’s I’ve sent to distributors. I would love to release everything I’ve ever recorded, which would probably be a 900CD box set, I’ve got quite a large archive of work dating from about 1981. So until we get a distributor for the label…… thats why I did noyzelab.com really, just to get some of the the stuff out there.

Next Noyzelab gig = ? ( include gig details, venue, time etc 🙂
Wed Sep 03 as “Bang Lassie”, which is me n Wade Marynowsky (spanky) @ lan franchis, 144 Cleveland st, Sydney, from about 8pm onwards as part of Shannon O’Neills DISORIENTATION.

by Sean Healy, August 19, 2003 0 comments