i3L – iPhone as Wireless Touchscreen Midi Controller

Aside from it’s wii-like accelerametor ( movement gestures as data for controlling software ), the iPhone’s touchscreen interface and hard-drive with internal operating system, makes it a potentially awesome device for manipulating software. Say hello then, to the i3L MIDI BRIDGE for the iPhone by artificialeyes.tv, software developed to work with their upcoming 3D software 3L (‘thrill’). Software that translates the sliding and pressing on the touchscreen into midi information, which is sent wirelessly to a small piece of software on the desktop, which in turn can be routed to the software application of your choice. In my case below, this was VDMX. Is it fun to use? Hell yeah!

Though they developed it to work on their upcoming app, full credit to artificialeyes.tv for releasing it as freeware to work with any software. More details and download over at artificialeyes.tv.

iphonevdmx

by Sean Healy, October 31, 2007 2 Comments

Jean Poole’s International Month of Gear Testing

Seem to have found myself at the sticky centre of some kind of reverse-big-bang for video controllers. I wake up covered in cables, each footstep to breakfast triggers all kinds of devices, and there’s some kind of gravitational force that keeps sucking even gadgets into the orbit. And so, finding myself in the heart-lab of artificialeyes.tv, figured this way a unique opportunity to test and compare some of this gear side by side. I’ll be trying to get a small review up of each of these over the next month, “or so”.

gear
1 – Canon XL1 video camera
2 – Canon XL-1 wide angle lens
3 – Synesthete custom stompbox w/ Doepfer Pocket Electronic guts
4 – Superaon 6″ LCD preview monitor
5 – Camera – Fuji FinePix S2 Pro w/ Nikkor 14mm Wide Angle lens
6 – Camera – Nikon D70S w/ Nikkor 12-24 mm Wide Angle lens
7 – GPS Unit – Garmin GPSmap 60CSx
8 – Edirol V-4 with a Vestax CF-PCV optical cross fader mod
9 – Korg KAOSS PAD entrancer
10 – NYKO Air Flow EX joystick
11 – Korg KAOSS PAD
11.5 – Alesis Photon X25 Midi controller
12 – JLCooper CS-32 MIDI controller
13 – Canon Digital IXUS 850 IS
14 – Evolution UC-33 midi controller
15 – M-Audio Trigger Finger midi controller
16 – Edirol V4 video mixer
17 – 60Gb 5th gen iPod (Video)
18 – M-Audio MicroTrack recorder
19 – iPhone
20 – uDMX – USB to DMX cable
21 – MidiMan MidiSport 2×2
22-23 – M-Audio Mid-Air transmitter and receiver
24 – Wii Remote controller
25 – Korg microKONTROL
26 – Codanova VMX VJ midi controller
27 – Vixid VJX16-4 video mixer
28 – Canopus ADVC-110 Video A to D convertor
29 – VMS VMU-5 with NEC LT-35 Projector attached, controlled by DMX

by Sean Healy, October 30, 2007 1 Comment

3L software by artificialeyes.tv

Aye, my Istanbul hosts are getting close to releasing their quite rad and ground-breaking real-time 3D software, 3L (aka Thrill). It’s caffeine-o-clock as bugs are ironed out, features are refined and interfaces re-jigged. An OS -X beastie, it harnesses the 3D power within recent graphics cards to provide a modular, real-time 3D environment. Inside this, multiple objects can be positioned and moved around, as can the camera position, or the whole scene itself. Video textures can be composited as backgrounds or on objects, effects can be applied to textures or the final output. And it’s all happening in real-time, super-fast frame rates and with plenty of depth to explore.

Unique to the program is a cleverly coded and killer capacity to record your real-time experiments at full DV resolution – eg 720 x576 pixels for DV-PAL. Play, manipulate, refine, record. Like most contemporary VJ software it also comes with a full range of adjustible sliders, each controllable by mouse input, audio analysis or a large range of oscillators and maths functions. It’s the well thought through detail with a lot of these though, that makes the software quite powerful. And sequencer modules. And a module for controlling those VMS ( video mirror systems that allow the projected image to move around the room ). And lots, lots more, ( wonderful capacities to interpolate between various complex sets of parameters, wet and dry FX levels for R,G and B etc etc etc ), but that’ll come in a later review – this is just a note to say there’s something on the way. 3D graphics fiends who give good constructive feedback are highly encouraged to bug AE into putting them on their 3L Beta-testing list, muchos recommendo.

3L

by Sean Healy, October 29, 2007 1 Comment

Curse Ov Dialect and Emile Zile in Istanbul

curse ov dialect
Australian hiphop in the Turkish hood, reprazent! Esp those in freak-folk costumery, on crazy-dense Euro-tours with resident VJ on stage chopping up clips and playing video files of tour-absent DJs scratching their vinyl riffs! myspaz/thecurseovdialect has music and throwing the name into youtube brings a scattering of this latest X-continental dash. Interestingly their VJ, Emile Zile, was running the back-up music through the VDMX software, and out through a soundcard. Which worked especially fine on the videoclips of pre-composed scratching. As always, the stage couldn’t hold the Curse MCs, who sprang around both Istanbul venues they played at like the hyperactive Mad Max pixies, they really are. Look forward to seeing them develop further synchronised AV material. Good times.

by Sean Healy, October 29, 2007 1 Comment

United, Visual, Artists in Istanbul

uva

Best known for their Massive Attack concert visuals, UK’s UVA were recently gifted the chance to provide some opening night light and sound at Santra Istanbul, a major new contemporary art museum ( and accompanying energy museum ) set in a sequence of multi-storey buildings that were once upon a time, a crackling power plant for the region. Lots of that electricity making infrastructure has been kept in place, both inside and outside the buildings, a ripe canvas for the prominent lighting and graphics crew to do their thing.

And so, light and colour sequences were introduced, the building being lit up inside and out, the light sequences gradually becoming more complex ( choreographed by UVA’s custom software ). The large outdoor sound system was finely milked by Jude Greenaway ( who often does music with The Light Surgeons – who btw – have a new project related blog rolling along… New Adventures in Folklore), and finally high-powered video projectors were added to the mix, with a blend of archival footage relating to the site, abstract graphics and at the climax a series of video sequences custom made to fit exactly, then oscillate between certain sections of the architecture. Almost over before it started, it was a smooth display, but lacking some magic to carry their reputation as far as previous projects have. Apparently the system will be a permanent installation however, able to be utilised in various ways for different events. A recent UVA interview highlights their greatest hits of late ( with video links), alongside good insights into their processes.

by Sean Healy, October 26, 2007 3 Comments